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Marginal Maneuvers


The call:

ten thousand soldiers march
excited by their fear
entering the battlefield

in exchange for honor and medals

alas that\'s the idea

most will die of maim
others will suffer or inflect
illicitly contending their status of war hero
none of their lives is real

instructions nonetheless given

troops expendable with resilient weapons set
head counts therefore turned into a firepower curve

minds realizing amidst of mayhem
in dark hours of a sudden moon
death comes for free


Straight after the battle:

Murmurs
unheard by the living
unthought by the near-dead
emerging as undead
out of scattered corpses
bold
talkative
in tenses unknown
but they speak
not of battles
lost or won
they speak
clearly
unnoted
yet loud
demised
misdeed
reverse
acute
to the end
that one
may rise
as one
for all
who fell
and talk
back
pulled
by moonbeams


A resurrection? – the procedure:

Neuronal language,
dendritic translation
nervous laughter
consistent by electronic debris
reviving all that matter
to all that matters
overcoming finality
irrevocably
extracted by voice
of a satellite

that has no perception
of difference in tones
and words
of spoken languages

Intricate reality:

One rose
of realization
into realization
to proclaim
with just two lips
to speak
fluently
this humane language
carting around
in a wheel chair
treated
like a beggar
an invalid
a fool
a lunatic


His words:

We must not forget
the scale of things
We must not forget
the measure of nature
Take for example:
One!
Two people.
A few people.
A congregation of people.
A mass of innumerous people.
They’re like grains of sand in a desert.
Deserts,
mountains,
grasslands,
oceans,
arctic landscapes,
jungles and clouds.
A world, no more than a small pebble stone in the solar system through which it rotates.
A solar system, no more than a spec of dust in the galaxy that holds it.
A galaxy, just a drop in an ocean called universe.
A universe; a cell in the body of infinity,
a split-second in the motion of eternity.
There\'s an interaction between all these constituencies.
Consisting of pure joy.
And I\'ve been in all these places
for I died and came back ...
Just came back
to cure the virulent
strain of war
with some anti-lunaticum



Resume:

Maimed war hero
turning the wheels
after a talk to the walls
feeling joy
in the legs
he left
on the battlefield
just following
the principle that:

there is a motion of the mind
in which all comes to one
just all
ALL
He calls them:
Original Maneuvers
while he counts
manipulation
from mutilation
through amputation
with mutation
towards multiplication
concluding in rotation


His mind speaks silently:
The world may be round
and it\'s ways cyclic
But the universe is flat
And my missing legs
march its plain


His only hand raised
while he rolls down the slope


*∞*
©2003-2009 ~groovus
:icongroovus:

Author's Comments

Shifting realities, yet somehow reality is a fixed entity ... so maybe I should say shifting perception or reality ...

The threat of WAR influences me more than the scale of perception I can mentally (or by abstraction) place it in.

A portion of this poem is an excerpt from a novel that I'm writing and falls under the subheader His words: ... take for example:

I'm not fully satisfied how this one has turned out so suggestions are more than welcome. Though what I try to bring out is the scale of things the measure of reality! Somehow I have the feeling that I'm a bit 'Raphaeling' here in the sense that he made a painting once that was flawed because he wanted to use too many different techniques. I have may have overdone here in some respect, but I don't see how I could make it better or worse for that matter!

leap into this fun ...

Comments


love 0 0 joy 0 0 wow 0 0 mad 0 0 sad 0 0 fear 0 0 neutral 0 0
:iconwu-wei:
I like the typography experiments here . . . the substance is pretty damn good, too.

--
Another shameless artist
--
. . . and birth a new translation of a language yet untold.
:iconproud2bjunkie:
the message in the first part: there is a motion in the mind wasn't it?-- was really good; i was looking for you to do more with it throughout the rest of the piece but alas you did not. very good, though. :) (Smile) intriguing

--
amor vincit omnia
*christians
"Above all, maintain constant love for one another, for love covers a multitude of sins." (1 Peter 4:8, NRSV)
:heart:
:iconnathanyel:
maybe a bit too long, but anyway, excellent plays of words in there
:iconinennui:
I'm in favor of wars being fought in DJ battle tournaments.



--
I was born a porno plumbing plunging philantropist potato plugging poor probably pissed probably poling paters' progeny.
:iconinennui:
Raphael never made anyone ralph. Vodka did though

--
I was born a porno plumbing plunging philantropist potato plugging poor probably pissed probably poling paters' progeny.
:iconecho-si:
I found the first section a bit lacking in flow, but the rest was really, truly compelling. I liked it more & more as I read it...
I can't even come up with words to describe how this piece made me feel/think. It's wonderful.
Clap Clap Worship Clap Clap

--
do your part. love your mother. :earth:

:peace:
:iconluci-fer:
The imagery in the last two stanza's made me go cold. The rest of the poem seemed more geared to make me think, and the end to shock. And it almost feels like the one guy rolling in the end is the poem as much as a cell in the body of infinity. I very much like what you did with the 'there is a motion in the mind' letters in the first stanza.


-Luci

--
------------------------------ ------------------
neil:Excuse me, *I* am a writer!
bob: A portfolio of erotic 'Buffy' fan fiction does not a writer make.

[link]
:icongrimorial:
Your like the God of poetry. I bow before you. Makes mine look like rotted Turnip Greens.

--
Heinous

a. hateful; atrocious; unpardonable.
:iconwernstrum:
The poem got better as I read further. I especially like the movement of the focus emphasisng that the non existence of things may sometimes be ruptured by intense realization:

minds realizing amidst of mayhem
in dark hours of a sudden moon
death comes for free

Good work

Details

February 25, 2003
59.7 KB
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